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When Pigs Fly  
December 7, 2001–January 13, 2002
 
 
 
 
CLICK IMAGES TO ENLARGE
Photographs by George Wada
 
 
This outrageous comedy musical, which was Uptown Players' inaugural show, brought the house down at every performance. In fact, the show proved to be so popular that the run was extended by three weeks!

Cast: B.J. Cleveland; Alan Hanna; Craig Lynch; Tom Malin; Dennis Yslas; and Jeff Rane.
 
 
Review
Lawson Taitte, The Dallas Morning News
 
In the opening number of When Pigs Fly, B.J. Cleveland brings to mind one of the great musical stars. That bravely winsome but dazzling smile, the just slightly neurotic tension, the manic energy, and, yes, those enormous false eyelashes – who could it be but Liza Minnelli?

No, Mr. Cleveland isn't exactly in drag, though the five performers in this gay-themed revue often are. He's a high school student dressed up as Dream Curly of Oklahoma! (in a cowboy suit with spangles). As the young Howard Crabtree, he's dreaming of the day when he can be who he is and create a show for other Dream Curlys to perform. When Pigs Fly is that show.

The late Mr. Crabtree conceived – although Mark Waldrop and Dick Gallagher wrote – the piece, which Uptown Players gave its area premiere at the Trinity River Arts Center this weekend. Mr. Crabtree also designed the costumes for the original New York production. Fortunately, the company has imported those gloriously elaborate duds, which are half the fun of the show. There's actually a song about two Broadway hoofers who never get roles because producers find them light in the loafers. Lo and behold, halfway during the number the lights go down and their shoes light up.

This exaltation of the femme side of the gay persona isn't all that politically correct these days. But Mr. Crabtree and his cohorts don't care. They'll milk any stereotype for a good laugh. Uptown Players wisely hired Linda Leonard to direct and choreograph. She keeps the show moving, and the dance steps are as fabulously over the top as the costumes. Too bad Craig Lynch and J. Alan Hanna don't look as comfortable doing them as the other cast members. Dennis Yslas III gets to wear some of the most outrageous getups. (He's both the tree and the serpent in a Garden of Eden number that deliberately gets aborted before it really starts.) Mr. Yslas has some wonderful performance moments – especially when he comes out dressed as a superannuated Annie to sing a takeoff on "Tomorrow" and every other tune of false optimism ever to grace a Broadway show. Tom Malin adds an elegant note in a series of numbers in which he sings to some unlikely objects of affection – Newt, Strom, and Rush. He also gets the one serious song of the evening, a defense of humor even in serious times.

But this is Mr. Cleveland's show. He turns on the Minnelli-style hard sell again in the lead-in to the finale – and has the whole audience in stitches over each flick of his wrist.
 
 
 
 
 
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